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Gwalior
      
Jai Vilas Palace Jai Vilas is unmatched in scale and splendour The durbar hall for formal audience measures 15 meters by 85 meters with the roof over 12 meters high. The ceiling is painted in pale green and gold and the floor is covered with perhaps the largest one-piece carpet woven in situ by the carpet makers in the world. This is the room about which lady Dufferin the Vicereine exclaimed in 1884, " The magnificent room in which we lost ourselves last night". The two crystal chandeliers are reputed to be the largest in the world with the possible exception of one on display in the Tsar’s winter palace outside Moscow. When the huge chandeliers were about to be installed, doubts were expressed whether the ceiling would bear the combined weight of about six tons. The ruler of Gwalior could indulge in such expensive fancies because he was one of the richest men of his tome. Griffith, a British author, has provided a glimpse of the treasure he had amassed.
       The splendor of this royal city is living since sixth century. Once upon a time the patron saint of the shepherds and cowherds, Gwallipa, cured a king a of leprosy and thus the city got its name Gwalior on the saint.With the decline of Muslim power in Delhi, Gwalior fell under the sway the Marathas- Scindias assumed sovereign power. The Scindias, counted among the most glamorous of Indian princes, became famous of their wealth and were popular with successive viceroys because of their generous hospitality and capacity to organize thrilling tiger shoots for visiting dignitaries.
Amarkantak
       
Spreading over a flattish green valley in the Vindhya ranges,at a pleasantly cool elevation of 1065 meters, it is still more a hamlet than a town. This, in spite of the fact that two sacred rivers are born here: the Sone and the Narmada.Curiously, Amarkantak has none of the teeming grottiness often associated with popular pilgrim towns. It really is more like a green sub- mountain resort with wide-open, well watered, meadows and sunlit sal forests alive with springs and brooks.The stream of Sone is fed few hundred meters from its birth, by a number of tributary rills. The Sone becomes the main southern tributary of the Ganges, joining that great river near Patna. Amarkantak, in the green bowl in the old Vindhyas, is the serene epitome of that titanic power.
Orchha
Orchha’s grandeur has been captured in stone, frozen in time a rich legacy to the ages. It was founded in the 16th century by the Bundela Rajput chief captain Rudra Pratap who choose this stretch land along the Betwa river as an ideal site for his caption of the succeeding rulers. From here the view of soaring temples spires and cenotaphs is spectacular. Orchha’s fort complex approached by a multi-arched bridge, has three palaces opened quadrangle.
A huge, imperial structure with balconies, domes and a forbidding door. Built by Raja Bir Sing Ju Deo in the 17th Century to commemorate the visit of emperor Jahangir to Orchha. Its strong lines are counter balance by delicate chattries and trellis work.
Khajuraho
Khajuraho, the exuberance of Indian spirit represents a paean to life, love, to joy-perfect in execution and sublime in expression. The Khajuraho temples are internationally famous for the erotic sculptures that adorn the walls. Life in every form and mood, has been captured in stone, testifying not only to the craftsman’s artistry but also to the
extraordinary breadth of vision of the constructed. Chandela Rajputs under whose rule the temples were conceived and The most prominent structure at Khajuraho is the Kandariya Mahadeo temple, which is the largest soars 31 km high, dedicated to Lord Shiva, the sanctum enshrines a lingam( a phallic symbol, a symbol of energy, fertility and potency).